Media / Acclaim

Press Materials
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    • Opera Festival of Chicago

    Odabella, Attila

    Soprano Jenny Schuler played Odabella, the only role with any psychological depth, which she effectively communicated. Her timbre was steely in Odabella’s defiant moments and tender or fearful when needed, such as when remembering her father.

    – John Y. Lawrence, Chicago Classical Review

    Opera Festival of Chicago

    Giorgetta, Il Tabarro / Soloist, Dante 700 Concert

    True to form, the Opera Festival of Chicago landed a sterling lineup of U.S.-based artists for this year’s festival. Pomponi, a baritone, stars in “Il tabarro” alongside Chicago-based soprano Jenny Schuler and San Francisco Opera Adler fellow Christopher Colmenero. Pomponi and Schuler also headline the “Dante 700” recital program alongside mezzo-soprano Ola Rafalo and tenor Stephen Martin.

    – Hannah Edgar, Chicago Tribune

    Chicago Opera Theater

    Isabela, La Hija de Rappaccini

    The voices that impressed were the female ones. Although the mezzo role of Isabela, Giovanni’s landlady, is the most minor of the five, Jenny Schuler made an immediate impact with a voice that is rounded and authoritative, especially in its low register (the more surprising since Schuler herself is a soprano).

    – David Karlin, Bachtrack

    IU Opera

    Ariadne (Guest Artist), Ariadne auf Naxos

    Schuler has a sumptuous soprano, vocal stamina and a talent for mixing high drama with the comic.

    – Bloomington Herald Times

    A.J. Fletcher Opera

    Florencia, Florencia en el Amazonas

    Schuler was magnificent in the title role, her warm rich voice full of the solitude and longing of the diva.

    – CNVC

    A.J. Fletcher Opera

    Florencia, Florencia en el Amazonas

    Schuler is a vivid presence on the stage, conveying powerful passions with her rich, shimmering voice and beautiful, mobile face.

    – Winston Salem Journal

    A.J. Fletcher Opera

    Ariadne, Ariadne auf Naxos

    Jenny Schuler affects a slow burn as Ariadne. Her arias smolder and build until she is mesmerizing the audience with her deep feeling and powerful tones.

    – Winston Salem Journal

    A.J. Fletcher Opera

    Ariadne, Ariadne auf Naxos

    Miss Schuler has a beautiful and powerful voice, rich in nuance and always expressive.

    – CVNC

    A.J. Fletcher Opera

    Anaide, Il cappello di paglia di firenze

    Anaide, sung by soprano Jenny Schuler, was the perfect combination of the giggling effusive lover and bossy strict wife.

    – Classical Voice of North Carolina

    Chicago Fringe Opera

    Female Chorus, The Rape of Lucretia

    Soprano Jenny Schuler deserves praise for her handling of (this) role.. Schuler metes out her sparkling instrument with great intelligence

    – New City Stage